Madame Web Is Wrong

Madame Web is so bad I came out of unofficial retirement for this. It’s so bad it makes me want to write movie reviews again. It’s so bad it energized my lazy self to get typing. Sony, take a bow. That’s a feat that other terrible and many great films haven’t accomplished. Not even the amazing Across the Spiderverse or hype Spider-Man: No Way Home got that. I’ve seen plenty of trash too like Black Adam or Quantumania but didn’t feel like devoting my time to it.

I’ve relaxed in my rambunctousness as I’ve aged. I don’t get as worked up about bad stuff and I just am happy to enjoy good stuff. If something sucks, I just stop caring about it and move on. When it’s good, thumbs up baby.

But holy crap, man. This movie stinks. It’s just everything I find wrong with modern movies all into one movie.

This is everything wrong with comic book movies. When people meme on these movies it feels like this is the mess they consider everything to be (not that a lot of the recent offerings from Marvel or DC have been good). This belongs with Catwoman. You know, the one that didn’t involve Gotham or Batman or anything relevant to Catwoman? Because this is Madame Web but without Spider-Man.

It would be like making a Court of Owls or Lady Arkham story but they exist in a world where Batman does not. It’s just vomiting buzzwords out of an IP that people know for cheap pops.

A big personal wrong that this movie does is bad ADR, which stands for Automated Dialogue Replacement. It is a fancy way to say a character redubbed over their lines to make them more clear or emotional or whatever to try and better match the scene. This happens for various reasons but typically because on-set audio sometimes can be a little messy and muffled. Most movies have tons of this and you don’t notice.

Bad ADR ruins scenes for me and I swear the bad guy’s almost every line is ADR’d and done so in a way where the audio level isn’t matched to the rest of the scene. I love video games but he sounds like when video game mixing is bad. The Twisted Metal show has this issue where Sweet Tooth’s lines aren’t done by the actor on set, so everything is just off by 5%.

It’s also everything wrong with Big Hollywood’s obsession with blue/green screen so you can crunch non-unionized computer graphics artists by doing everything in post production instead of paying unionized set designers and cinematographers and prop makers and extras and so on. Does 80+ million dollars just get you nothing these days?

It bothers me in the same way that the Star Wars prequels are full of stilted performances. The characters physicality doesn’t match what is happening around them because they act first based off imagination or ideas from the director but then whichever graphics artist fills the scene in is working off a different idea or direction months later. The performance isn’t cohesive with the environment.

So I don’t even know how to rate the performances. Yes, there are many awkward line reads and reactions or non-reactions and parts where someone is pretending to touch stuff that clearly isn’t there and it looks awkward AF. But because it was such a blue screen obsessed production it’s weird to call it acting in any serious sense when the actresses self admittedly were acting off of nothing.

Ian McKellan is a phenomenal actor and he even struggled on The Hobbit movies working off nothing in many scenes. Blue/green screen overreliance made Gandalf cry on set!

Actors and actresses are talented people and a big part of their job is that physicality and interaction with each other and the set and selling the little things but those are lost when the most they often have are a couple of dots on a blue dummy in an empty sound stage.

There is just nothing here which sucks because I do think these actors have better in them. I haven’t seen much with Dakota Johnson but people seem to like her. Sydney Sweeney was great in Euphoria and the only other work I’ve seen was Anyone But You which I thought was a perfectly good romcom. I really liked Emma Roberts in Holidate. A bunch of the rest of the cast has faces I feel like I’ve seen elsewhere like Mike Epps, who I looked up and realized I must have seen him in Dolomite Is My Name. Good movie!

I guess the presentation of the bad guy is pretty neat. But I’m a decently dork pilled comic book loser and I have no clue who he is. I’ve watched my share of cartoons and read some volumes here and there. No clue who this Ezekial Sims guy is. I legitimately believe I have never seen him in anything Spider-Man before. But the suit is pretty neat? And he isn’t talking with his bad ADR most of the time in the suit. Big win.

What’s really wild is that Sony knows how to not suck at Spider-man related media. Across The Spiderverse is one of the best movies I’ve seen in years and it’s in my 2023 holy trinity with Barbie and Oppenheimer. That’s a movie filled with art and care and fantastic performances so much so that it can be overwhelming in how much style is flashing on the screen.

I’m a big fan of all three Spider-Man games for the PS4 and PS5. I think those are made well with care by people who know the characters and are motivated to tell good stories. I bought a PS4 for Spider-Man and I bought my PS5 for Spider-Man 2. Fantastic stories and games.

I even like the Venom movies! I think the first one is fun in a dumb charming way because Ed Hardy is doing such a good job. I thought for a PG13 movie they did a really good job with Carnage in the second film. But this movie nor Morbius (and unlikely that Kraven bucks the trend) have that weird charm that makes you sit through the crap to get back to the good stuff.

And that’s probably the core issue. Venom has enough material and presence as a character to be his own guy. You can figure out a Venom story with ideas without Spider-Man and it’ll be okay Frankenstiening bits together. Madame Web’s whole thing is Spider-Man’s fate is her weaving or whatever and Spider Totems and nonsense. But there is no Spider-Man in these Sony offshoot films.

Just… holy crap, man. This movie stinks. It’s just everything wrong with the stuff I dislike all into one movie. For my gamers, this is the Ride To Hell: Retribution of movies. I haven’t been so disappointed with a movie in ages. I think it might be Transformers 5: The Last Knight and that movie is a special kind of terrible.

Even when these super hero movies are bad, they’re still up my alley enough that I can enjoy them in some way. Black Panther: Wakanda Forever and The Flash are nothing to write home about, but only 70% trash and I can be satisified enough with the 30% I liked to come away pleased.

So why did I go see it? I had a free movie voucher and no weekend plans. Did I go into it expecting bad and pre-hating? No, I was hoping for bad-good which are some of my favourite movies. Who doesn’t rubberneck at a car crash?

But this is one you can easily look away from.

@Adam_Pyde on Twitter, Adam Reviews Things on Facebook. CanadianAdam on Twitch.

Dune Is Pretty Good. But Just Pretty Good.

Dune is pretty good. It has everything that makes a movie good. Good actors. Good sets. Good design. Good camera work. Good tone. Good writing. Everything is good. But it leaves a lot riding on the sequel to complete itself.

Denis Villeneuve is one of the few directors going that gets his movies automatically onto my radar regardless of the movie. Dune wasn’t high on my radar when I first heard about it but when I heard he was directing then I got on board. He doesn’t make bad movies.

I feel like he just asked a bunch of people to be in the movie and they agreed because he’s Denis Villeneuve and its Dune. You’re going to recognize just about every face in the movie, even if you don’t know their names. I don’t think there’s really a “no name” actor in this movie in any kind of starring role. It’s really quite impressive.

Cinematically the movie is shot excellently with big, wide shots to give you scale and size and weight and make this world feel large, lived in and old. There’s excellent use of light or the absence of it to move your focus around the screen to keep your attention. Every shot is deliberate and included for a reason. It’s real in the way a war movie would feel real from the big details to the small ones.

There’s something very 1980’s Star Wars-y to the design. Everything is a little bit dirty. We’re in the super far space future but you get that industrial bend to the way the spacecrafts are designed, the type of weaponry used and the architecture of buildings.

The plot is more of a Game of Thrones however: warring factions that want supremacy, different families vying for the emperor’s favour and power, betrayals and prophecy and stuff. We follow along with a Chosen One character that’s got a bit of a Gary Stu situation going on. This is where it’ll start to lose the audience.

I was pretty confused through the first hour but started to piece things back together as the movie went along. Give it the extra half hour, go full Lord Of The Rings. Explain everything so I can follow along a bit more. I normally complain about long movies, but that’s when they’re unnecessarily long and the pacing is ruined.

I’m still not totally 100% sure of everything that happened but at least I think that I think that I think I know what certain plot points, dialogue and whatnot all meant. I’m tempted to click on one of those extreme clickbait “EVERYTHING IN DUNE SPOILED AND EXPLAINED!” videos but I’ve held off so far.

On a re-watch the blanks would fill in, and probably even more so after Part Two. Oh, yeah this is a Part One movie. No idea when Part Two comes out other than it’s in development right now but they haven’t started shooting, so I guess it’ll be like 2024.

The Part One-ness of the movie might be the biggest drawback. The Fellowship Of The Ring feels like the movie is a contained story with a proper ending inside a larger story. Dune feels as if it ends on a mid-season cliffhanger like a TV show going into its Christmas break. Or more like Harry Potter and the Deathly Hallows Part One, where it very much ends in a way that feels like “Insert Disc 2” should appear on screen instead of end credits.

I don’t think it transcends over as must see cinema, yet. It’s a movie made for fans of the book, sci-fi nerds and cinephiles. My dad would be confused and bored while my mom would probably have as much grasp as I do – probably more. I know a few friends that would dig this and a few that would be bored stupid.

I liked it and want to see more and will see Dune Two but I also can’t strongly recommend Dune itself. Because it’s good, but it’s just good.

@Adam_Pyde on Twitter, Adam Reviews Things on Facebook. CanadianAdam on Twitch.

Star Wars: Rise of Skywalker is Whatever. It Exists.

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Star Wars: The Rise of Skywalker is the Transformers movie equivalent of a Star Wars film. It fell into itself and didn’t want to change anything.  It clings to the basic premise of Star Wars, which is fine, and doesn’t let go for anything or any reason, which is frustrating. This might be Star Wars at its worst, which is afraid to be anything you haven’t seen before.

Star Wars, cinematically, is an echo. Everything rhymes. “It’s like poetry” said George Lucas once. Everything Star Wars is here: the Force, X-Wings, Star Destroyers, Sith, Jedi, lightsabres, etc. Empire big strong and then the underdog Rebels pull a John Cena to a victory. That’s where the movie becomes frustrating because that’s all the movie is, again. We saw that in Episode VII and in Episode VIII.

That’s to be expected. The Lord of the Rings movies are fantastic and every movie ends with the heroes winning over evil. The key difference is that it feels earned; every movie ups the stakes and increases the grandeur in a way that makes sense step by step.

Was Episode VII – The Force Awakens good? Sure it was. Don’t pretend it’s a bad movie. Call it unimaginative if you want, but it was a safe and entertaining blockbuster that made you interested in what Star Wars could be again. You can go back and watch it and enjoy how it brought a charismatic cast together, planted seeds, had some mystery, did the big stuff and was enjoyable. Probably as good a reboot as you would get.

Was Episode VIII – The Last Jedi good? It was fine. It did some stuff that was interesting, had pointless side plots, some frustrating character choices and decisions (maybe the Rebellion really likes to watch Suits in space). For everything good, it did something a bit whatever and a few things just plain blargh. If that movie ends after the back-to-back fight on a cliff hanger then everyone is probably thinking of it relatively favourably. But it didn’t, oh well. However, it gets worse because of what follows.

Is Episode IX – Rise of Skywalker good? Eh… your mileage may vary. How much are you into wanking off to nostalgia, hectic action, 1+1=2 plot, frustrating character decisions and insane pacing? I can’t get away from thinking the movie was just frustrating. I’m not mad or sad. I’m not giddy. Depending on which 5 minute span of the movie I was watching I would go from enjoyment to indifference to annoyance or displeasure. But I know that after it ended, the conclusion to the 9 movie 40 year Skywalker arc, I wasn’t satisfied.

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The worst thing movie’s can do is waste potential because that can make an okay movie bad. A bad movie is just bad and you know its bad. But leaving an okay movie that could have been more feels worse because your brain is telling you “That should have been better.”

I didn’t know a movie could make me appreciate Avengers: Endgame as a film more than I already did. Imagine if Infinity War and Endgame were condensed into one two hour movie. No scene has the time to sink in. There’s barely been a pause in dialogue before the scene is transitioned and someone else somewhere else completely is talking. It’s like it was edited on TikTok.

There’s so few moments where things move at a “normal” pace that when it does happen it feels almost jarring that a “normally” paced scene is occurring. But then you take in the normally paced scene and enjoy it just to get discombobulated right after by another hectic, lightspeed mess.

Plot threads IN THIS FILM are literally being dropped from scene to scene. Something will be brought up and then 15 minutes, or less, after someone says the cinematic equivalent of “Oh that? Doesn’t matter. Forget about it, please.”

There are moments and decisions that should be Big Things that happen so quickly that the movie feels like a TV edit. There are other times where the weight of a decision is completely negated or becomes inconsequential almost immediately after it happens.  Characters are making turns and decisions so quickly that you feel like someone off screen is tapping their watch saying “Wrap it up” like Monica during Phoebe’s wedding speech.

So many scenes could have been so much more if they were given more time, but you travel across like 6 planets in less than 90 minutes. When scenes don’t have the time or weight to happen “properly” then you forget about them. Moments don’t become memorable otherwise.

There’s a scene where they straight up pull it from a WW2 movie with Nazi SS dudes doing door to door raids and stuff. The Rebels have to sneak about to find a macguffin and avoid the First Order. That could have been 20 minutes with a lot of tension and pressure. Instead it was like 10 minutes and it ends on what feels like a whim. And it was the second time they landed on Planet Convenience in a row.

Characters will face down something that appears harrowing, say “we gotta climb the big thing”, “wow that’s gonna be tough”, and then it just cuts to them at the top of the harrowing big thing. Usually this kind of stuff goes: Introduce an issue, struggle with issue, solve it. Instead we get: introduce a thing, solve it immediately, move on. It’s like a chain of fetch quests in a video game.

You would think a director who is also a fanboy of Star Wars, in JJ Abrams, would understand these things. He did these things pretty well in his Star Trek reboot. He got emotion and excitement right in those movies.

I can’t help but feel that JJ Abrams was the angry fan who walked out of The Last Jedi with a wet diaper. There’s such a feeling of “Episode VIII didn’t happen! Episode IX is the REAL VIII and IX at the same time!” There are moments that feel like actual middle fingers to the previous film to the point you could probably just watch Episode VII and go to Episode IX just off the pre-scroll.

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I just want to vent for a bit about Kylo Ren and Rey, and their relationship. There may be a few spoilers from here out but we’re talking about a movie from 2019 in 2021, so…

Kylo Ren, portrayed by Adam Driver, is the best part of the movie, again. He deserves so much more than this movie for his acting. He carried this franchise. He’s the closest to feeling like a real movie person across three movies, where other characters are all over the place due to the lack of foresight from page one or they’re almost entirely static.

Daisy Ridley is perfectly fine as Rey. But the issue is Rey. Rey gets to do everything for free. Our other big Force characters always took an L where they screwed up, but came out the other side as a better character:

  • Anakin lost an arm because he was too cocky, then he became a robot because had an unstoppable boner.
  • Luke lost a hand because he was too brazen and didn’t take his training seriously.
  • Obi-Wan lost his mentor and didn’t listen to his better judgment and it led to Darth Vader.
  • Kylo Ren is suffering from the galaxy’s biggest case of imposter syndrome after his Uncle tried to murder him in his sleep.

These are important because to round out a character they need to take a loss. Aragorn took an L in Lord of the Rings. Tony Stark took some L’s as Iron Man. Rey gives up a late goal but always scores it right back to win.

She might not win clean, but she’s basically John Cena when John Cena couldn’t lose a match for like 10 years. She’s Hulk Hogan from the 80s. I don’t consider her a Mary Sue, but I get why people say she is now when I didn’t really hold that belief before.

Her biggest trauma relates to her parents (fair enough), but she’s never gets her Big Loser moment to teach her a lesson. Not that I’m trying to neckbeard here, but there’s a moment that could have been her “oh my god I effed up” but like 12 seconds later they go “no it’s okay”. She’s never had to come back from a big mistake that changes her. That’s… boring.

It makes it even worse when the movie climaxes and she kisses Kylo Ren. The kiss sucks. It wasn’t about good and bad meeting and the whole world is grey.

Kylo Ren is shown to be a paranoid-schizophrenic with a hunger for violence and anger problems that have stunted his maturity to the point that he has had different Big Evil’s doing his thinking since he was a teenager when he became an intergalactic Neo-Nazi. He has tried to kill the Rebels more times than you can count and has killed enough of them, and innocents, to make Stalin feel inadequate.

His first encounter with Rey begins with him torturing her for information and he’s relentlessly antagonized her for a couple years now by killing her friends, blowing up planets and doing his best to manipulate her at every turn.

He’s basically happily killed both his parents. He is in no position to be in a relationship with anybody. No matter what you feel about him, he is in no position to be in a relationship with anyone. Especially not the equivalent of a Force using demi-god with her own abandonment issues with big time force powers she can’t even control.

But apparently torturing her left a good first impression. Killing her friends and tons of randoms and innocent civilians was also okay and cool and forgivable. Killing his dad was fine. Being hell-bent on destroying almost your entire resistance was okay.

Screw it. Maybe they deserve each other.

Just about everyone else in the movie is useless and don’t really matter but they get B plots that are easily solvable so they can kill time while the headliners do their thing because if you don’t have The Force Juice you don’t matter in Star Wars.

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If you’re going to spend 4 billion dollars on a media property famous for trilogies, lore and the expanded universe then perhaps plan your new trilogy out in advance. It doesn’t need to be scripted to the second, but setting up plot threads and then doing nothing with them because you had no plan is so painfully WWE.

Movie universes shouldn’t struggle and fail this often. What Marvel is doing, and to a lesser extent Legendary with the Godzilla and Kong movies, isn’t terribly difficult. Plan it out, have patience, execute it.

You can understand DC stumbling because it took them four years to realize they couldn’t do six years of build in three films. You get why the Dark Universe bumbled, because they couldn’t contain themselves and wanted to go big right away. Sony’s Spider-Man world failed in the exact same way. You can’t hit the gym twice and then hope to hit world record numbers on a deadlift.

But you would have thought Star Wars, a Disney property, would have been able to knock on the Marvel, a Disney property, door next door and get such simple advice as “yeah try to at least sorta plan things out and stick to that.” It’s like they went and knocked on the Fox’s X-Men door, a Disney property, and got their advice from them.

Or maybe the guy who wrote Batman v Superman isn’t the best choice for cohesion in your climactic film.

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The Last Jedi was not perfect, but it did do like four great things: Rey being a nobody, Old Man Luke not living up to the myth, Kylo talking to Rey about “Jedi and Sith are both dumb. What if we did our own thing?” and posing the question of “Maybe anyone can tap into the force/be a hero?”

This movie pretty will dumps on all of those: Rey is important and always has been like Harry Potter-Aragorn-Anakin. Luke wasn’t tired, he’s actually silly like puppet Yoda now. Then “actually the Jedi are good and right and the Sith are pure evil and wrong. There is no merit to the Jedi having their issues as well.” And absolutely no way can anyone be a hero. Only people from basically two families are allowed to be heroes.

One of the worst ways to handle something that is potentially cool is by going “Look how cool this could be?” and then going “Nope. That isn’t cool and you’re bad for wanting something like it” because now you’ve gone and split your audience further.

Rise of Skywalker is so desperate to course correct on The Last Jedi that in their attempts to make you forget about it that it instead makes it so you can’t forget about The Last Jedi at all.

I do want to say that I feel the amount of freedom Disney supposedly gave Rian Johnson for Episode VIII was overstated as a lame attempt to satisfy people through post-film PR – I’m basing this off the weird shifts in tone and the extraneous forth act and how they fit the film compared to Rian Johnson’s other work.

But maybe you hated The Last Jedi for perfectly good reasons and you feel this actually did things right. I don’t know. I feel this movie bashes as much “established Star Wars” with a hammer just as much. However, I get the feeling that cinematic Star Wars has just reached fan apathy level.

Cinematic Star Wars is just so weird. You have so many people, that call themselves huge fans and maybe they are or maybe they’re “fans” for the hustle, that seem like they’re always racing each other to see who can hate it more. Who can be the most contrarian? Who has the hottest take that they can back with the most nerd cred?

It’s just so weird to see Nerd Media become the behemoth it has where you get the same level of tribalism and viciousness that have been present in sports and politics for years. You get the feeling from the discourse that most of the most vocal fans don’t even like it, but that feeling of not liking it also fuels them to keep not liking it while staying engaged with it.

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For what it is worth, the movie does look great. I love the lightsaber battles in the new trilogy. They aren’t swinging glow sticks and breakdancing, but they’re a bit more involved than a classic style sword duel that more resemble pirate movies from the original trilogy. They swing the swords like they have weight and like they’re really exerting themselves.

The cinematography is great. It’s a well shot movie that’s colour coded well so you understand where you are, even if you don’t know where you are. It isn’t completely devoid of creativity. You get all your classic Star Wars shots and iconography. It’s all here and that part is still pretty cool and backed by a traditional and excellent score.

The character designs and props are always a high point. Maybe its one of the reason’s that Star Wars relies so hard on its own iconography, because its that good: Storm Troopers look good, black bad guy looks good, white good girl looks good, scrappy Rebel outfits look good, the X-Wing and the Millenium Falcon are wicked designs. “Show, don’t tell” as a rule has been a strength of Star Wars for the better part of it’s existence.

The themes, as repetitive as they’ve become, are still strong. Anyone can stand up to oppression. Maybe it’s ten people but maybe then its twenty people, then fifty and then you’ve started a revolution. There will always be resistance to tyranny. That’s good and especially in 2021 its a really prevalent message.

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In the end, the worst thing Big Hollywood can do is be average. This movie is average. Did I complain a lot? Yes. Did I enjoy myself? I don’t know. Would I recommend this? Not really.

I’m just sour because the potential of this series declined at an exponential rate and that’s a bummer. Fantasy movies are cool. Space movies are cool. Fantasy space movies should be really cool.

I was just hoping for something slightly new creatively. A slightly different take on things that avoided wanking itself off with the nostalgia glove. It’s just a very predictable movie that never catches you off guard, subverts your expectations in a good way or satisfies the obvious outcome either.

This is the finale. The Finale. The finale to a nine movie arc (ten if you want Rogue One in here). This is the cap to Star Wars as people know it. The end. The big climax to it all. But it just piddles itself out with a sloppy landing.

At some point we’ll be into Episode X, XI and XII and everyone will be excited again. People have started looking back at the prequels and think they’re good movies for some reason. In 10-20 years I’m sure the same will happen here. Everyone cheered like crazy for The Last Jedi. Then they hated it. But then everyone rushed right back in for Rise of Skywalker only to hate it. People couldn’t keep their pants on for The Mandalorian but I’ve even seen some people start to poo poo that.

Maybe the best thing this set of Star Wars films did was get so mad at Rian Johnson that they kicked him out, and he responded by making Knives Out. Go watch that. It’s great.

@Adam_Pyde on Twitter, Adam Reviews Things on Facebook. CanadianAdam on Twitch.

Star Wars: The Last Jedi Exists and That is Fine

Now that The Last Jedi has happened, can we all agree at this point there are two good Star Wars movies? A New Hope and Empire Strikes Back. That’s it, right? Return of the Jedi is fine, prequels are bad, The Force Awakens is likeable and Rogue One smells.

I never saw this movie when it came out. I wasn’t excited to see it at launch and I figured I’d wait for Netflix.

Even once it was on Netflix I kept deciding to waste 2-3-4 hours on reruns of The Office, Brooklyn 99, Oceans Eleven and Blue Mountain State.

That isn’t because I cared about all the man-baby crying or accusations of SJW-ing all over it. It isn’t because the films are inherently political in a political climate that’s toxic as hell. I stayed away from as much TLJ related content as I was able because I had no desire to consume it. I didn’t care. I enjoyed The Force Awakens enough. I initially enjoyed Rogue One, although my opinion on it soured over time to the point I realised I actually dislike it and what Star Wars is as a property.

The series has always been political even when its hokey. Underneath the space monks versus space nazis, there is the political inspiration/allegory for the Vietnam War – hippies/rebels against Nixon/empire. There are essays about the prequels/Anikin being an allegory about the Bush administration. The story is always the band of misfits and rebels and good guy collective trying to stop fascist tyranny. A lot of movies have political or societal messages depending how far you want to scratch into it, and it never bothers me.

What bores me is that Star Wars is limited by the exact things that made it seem limitless because without established Star Wars elements to carry the world and narrative such as light sabres, the Millennium Falcon, TIE fighters and X-Wings, and the dueling sides of The Force, what even is this galaxy far far away? Why is the world of Star Wars essentially the same as it was 40 years ago? You never really see The Empire or The First Order tormenting regular people. You don’t get the impression that the every day person is bothered by them.

There are similar story elements from the old films to the new. They make sure to always get their name drops in. They make sure to use things people know even when it fails to be organic. They repeat visuals you’re familiar with.

For an adventure series set across multiple galaxies, they can’t get away from red light sabre vs blue light sabre plus destroy the big evil super weapon.

Darth Vader still basically is the driving force behind everything. From episodes 4-6 to the central figure of 1-3 to revered in 7 to a pointless and gratuitous part in Rogue One.

Star Wars can’t stop squeezing the dead corpse of Star Wars. As a property, its afraid to be new.

Why did I go into this giant preamble? I guess to say that Star Wars is just whatever.

I understand why some people are so mad about this film and I get why some people love it. It starts doing what I wanted to see, kind of. Its a swing at doing Star Wars its own way. It just didn’t exactly do it well.

The film is messy. Characterisation and traits can be inconsistent. There are pacing issues, tone issues, plot issues. Its probably a half hour too long. The execution wasn’t perfect. In trying to make the twists and turns, it doesn’t always go forward or even sideways. Sometimes it makes the left or right to satisfy and surprise, other times it does enough turns that its back where it started.

They could really make use of a Star Wars bible in the writers room to keep things in line.

Its a film of B-plots. The A-plot is a little more of a B+. Part of the mess comes from pacing of the B-plots and one of them being literally a “these characters need stuff to do” plot.

The comedy in the film doesn’t fit the tone of the overall film. Its really trying to get into that Guardians of the Galaxy vibe where you need a joke to undercut the tension a bit too frequently. It works there because those characters are likeable dicks by design, but these Star Wars characters are not.

The acting is good. Daisy Ridley is really charming and charismatic. Mark Hamill is excellent. There isn’t anyone who is bad. BB8 is a likeable robot, something this franchise has struggled with lately. Adam Driver is excellent. Finn and Rose are pretty much pointless, but their actors sure try to make you care about being pointless.

With quality performances and enough paint, you can hide a lot of the cracks.

I didn’t yell and throw my hands up until 2:05 of the 2:31 run time, but that moment was worth the reaction.

I was expecting something awful like The Amazing Spider-Man 2 or I was expecting another safe play like The Force Awakens with enough jazz to be enjoyable but forgettable.

This was more X-Men: ApocalypseSporadically interesting but far from perfect and has its share of wasted potential. A lot of stuff happens, but it kind of doesn’t matter. In a way it has Rogue One disease where you can skip to the third act and not really miss anything, walk away feeling good until you decide to think it over again.

I did not manage to avoid a bunch of chatter of how the movie is #ActuallyGood because it SuBvErTs YoUr ExPeCtAtIoNs, as people were putting it. Subverting expectations is a fine thing. There are movies that do it well. There are movies that do it poorly. Playing to expectations isn’t a bad thing either. That can be satisfying as often as its terrible. But in the end it still has to be satisfying or its just a wet fart.

At times this worked and that’s where the interest was. At times it didn’t because for all the ways it tried to be original there was nonsense mixed in and it still ended with red light sabre Sith and a military against inexperienced blue light sabre Jedi and the rebels. That honestly can’t be a spoiler. Don’t @ me.

Failure can be interesting and a great story device unless you make that failure meaningless.

I’ll be honest, a pinch of me wanted to hate this so I could hang up on Star Wars as a franchise, and the rest of me expected to be completely indifferent.

I don’t know where you take it from here that makes it something new, but if this movie was testing the waters for trying to be “new” then I hope they jump in next time. The time for teasing is over.

Rating: Netflix it when you’ve got an evening and a PB&J. I enjoyed it for the effort in doing what I have wanted Star Wars to do. I didn’t enjoy it for when it fell back into Star Wars. It’s dumb but at least it tried.

@Adam_Pyde on Twitter, Adam Reviews Things on Facebook. CanadianAdam on Twitch.

Star Wars: A Rogue One Story

Rogue One: A Star Wars Story 4/5

The movie started off a little choppy and rough. There isn’t an opening crawl so you get right into it and learn the exposition as you go. Not necessarily a bad thing, but Star Wars is usually pretty spoon fed. You start off this film kinda not knowing what’s up exactly and who is who and why is what.

Then as it goes you start to pick up steam and things start to fall in place better. Works through a couple lulls and I even had an eye-roll at one point.

But once it gets to the end it goes and goes and goes great. Its fabulous. Radical. LIT AF FAM!!!1!!

Its a very WW2 style story for chunks and is shot in a similar manner to classic war films. The classic WW2 style shots and battles that are less fantastical than your usual Star Wars fare. There is some excellent cinematography for scene transitions that really add to the pacing.

I was a bit of a curmudgeon sitting down in the theater before the movie. I’d been making the joke about “We know how it ends” since the couple TV spots and trailers I saw had them saying things like “We need to stop The Empire” and “We can’t let them build the Death Star!” Pretty sure Episode IV happened. But the way it got there and the way the story was told works.

In a The Hobbit-ish way, it shows you some things you’d always heard about in Lord of the Rings, but never seen. So seeing those things is great, and its even better when it handles the tone so well.

The characters aren’t terribly fleshed out, but that’s pretty well a norm for Star Wars. As much as people laud the original trilogy, I don’t think George Lucas is a skilled enough writer to really have done everything character wise that the last 30-40 years have claimed. I think a lot of fandom and nostalgia gets in the way and has added to the mythos. (Like, Darth Vader wasn’t space Satan. He was an asshole general who wore a cool suit. He was the Witch King, not Sauron. But pop culture sure treats him like he’s the greatest thing since electricity.)

Back to Rogue One… They’re archetypes of your misfit gang of heroes. They’re not your usual Star Wars characters. They’re… dirtier(?). Also, I don’t really think much of the cast is terribly charismatic or really brought anything extra to the roles, and maybe they appear shallower and less interesting for it. There is perfectly fine and good acting, but that extra layer of spice or chemistry or whatever just wasn’t quite there.

There is a bit of a test I have for movie characters which falls into a “How willing am I to buy a Funko Pop or SH Figuarts or other such figure of these characters?” and while I enjoyed the movie, no one stuck with me.

Mads Mikkelson is radical. He just has a great face. I’m so excited for Death Stranding.

There’s gonna be stuff you don’t want to think too hard about. There’s nostalgia and some fan service. The story isn’t much and its kind of a moving target as they go. I feel like Gareth Edwards, director, knew how he wanted to end the movie and kinda filled in the rest with Good Enough Stuff.

Star Wars as a property has a thing where once you get too far from Storm Troopers and TIE fighters and X-Wings and the Empire and the Rebels there hasn’t been enough to establish what else makes up Star Wars. So while this is “new” its also familiar. Mileage may vary on viewers craving new-ness.

Whether I like this more than Episode VII is yet to be determined. I want to say yes, but a lot of that is recency bias. Also, its fair to question how much of Star Wars this got right versus Star Wars fandom.

I can’t say enough good things about once you get to the end of the movie. Well executed action all through the final act whether its from the ground or the space. It has been so long since one of these big CGI, action franchise movies made the decisions this movie made.  It does things totally different than any of the other seven films in the series. I like that.

And seriously, the ending of the movie was excellent.

@Adam_Pyde on Twitter, Adam Reviews Things on Facebook. CanadianAdam on Twitch.