Aquaman: A Fun Blender Of Stupid


What a trip! Aquaman is like the best movie that is a 6/10 movie. Like the best 6/10 that ever 6/10’d. Warner Brother’s DC’s Aquaman is what happens when you mix the following elements into one movie:

  • Power Rangers
  • Thor
  • The 1980’s action stereotypes
  • The Fast and Furious franchise
  • A 2018 blockbuster budget

There’s no bones about it. This movie is Dumb! Capital ‘D’ Dumb. But it’s also fun.

It has some laugh out loud moments that are intentional. Then some I’m pretty sure weren’t intentional but they’re great anyway, like when ‘Africa’ by Pitbull plays. Or the green screen-CGI looks funny. The gratuitous slow-mo for 80’s style action glamour shots of abs and pecs and super hero landings, plus one scene that looked slow-mo’d through a free iPhone app.

It’s campy. They know it and they take it seriously enough that you believe it, but it’s still campy. I like how silly everything looks. People riding seahorses and sharks with saddles. That’s great!

Shark horses!

Embarrassing looking costumes but they own them. I can really appreciate that. Some of these outfits are stupid. These are some Power Rangers/Super Sentai level costumes. But they take them seriously. There are no winks to the audience. So you roll with it and smile. Amber Heard wearing a jellyfish dress? Sure!

One thing I really did find myself enjoying was the number of different “cultures” they dipped into and explored. The Atlanteans are clearly Greek inspired, with the Amber Heard ones are sort the Rohan to their Gondor, the seahorse people being a “tech” culture, the horrible demon sea creatures (where it felt like James Wan’s horror background really came through) and then the Crab People. That was fun. The Crab People were my favourite. And setting all these cultures up should make for a really fun sequel.

Jason Mamoa is fine. He does his thing. He is buff and large and dopey. Amber Heard is okay. Nicole Kidman needed more screen time. Seeing Dolph Lundgren go from direct to DVD trash to big budget trash warms my soul. It’s cool to see Patrick Wilson get a sizeable role.

The plot is by the numbers. Checkmarks and rubber stamps. Boilerplate. Whatever. No real twists. The romance is bland. It’s enough to keep you moving and get you through the world they want to show. It could have been tightened up but it wasn’t, and it gets by.

It’s a very Thor on earth story. He’s a fish out of water but reversed as he doesn’t really know much about the world underwater. So it’s a fish in water story. He’s unsure of culture, doesn’t care, fight, punch, ignorant, etc. There’s definite Conan The Barbarian vibes. That cheesy level of 80s hero buff-man saves everyone story.

Action and dialogue are often sequestered and it feels strange to have what feels like a 10 minute fight scene have no dialogue beyond grunts and CGI fight moves. If you’re trying to simulate a real serious fight, that’s one thing. But we know they aren’t. The tone of the movie isn’t that kind of tone, so you almost drift when you’re looking at the 14th CGI water attack in a row.

This really felt like DC’s first kick to the nuts of the Snyder-verse. Wonder Woman and Justice League were steps away, but they were still grim and washed out with speed-up/slow-down action scenes.

The look of Aquaman doesn’t “fit” that.


  • Five-pronged trident.
  • Edgelord armour.
  • Everything being grey and brown.
  • Everyone frowning.
  • Everyone’s life sucks.
  • Not being able to talk without air.


  • An actual trident with three prongs.
  • The 1960’s orange and green armour.
  • Colours.
  • People smile and make intentional jokes.
  • Characters are allowed to be happy.
  • There is daytime and sunshine.
  • Able to talk under water.

And it should be that way. This is Aquaman. He isn’t Batman. He isn’t part of the Watchmen. He isn’t that serious, and audiences won’t take him that seriously. He talks to fish and pals around with seahorse people and crab people and is a bit of a knucklehead.

The only two real drawbacks to the movie to me come down to two things: run time and cinematography.

This movie could have been 45 minutes shorter and I’m sure if I re-watch it I’ll find myself using fast-forward through a good chunk of the middle 90 minutes. The entire B-Plot villain doesn’t need to be there. A fan edit that cuts that stuff down could really tighten this movie up.

As for cinematography it comes down to two issues. The first, I think they were trying to go for a “free-flowing” camera like it was in water. However, the camera spinning and zipping like crazy has times where you are looking at the screen unsure of what you’re looking at. I really hate looking at a movie and trying to “pause” it in my head so I can figure out who is who and what is what.

The second issue with the cinematography is the number of times they do the “one take” camera shot that is clearly like 1729 camera shots composited together. I can live without this ever happening again in any movie. If it is to happen, it needs to have a style and a trick to it. But there’s no substance to that kind of shot when it’s just zooming through windows and across rooftops then back to the street when everything is clearly a green screen in a sound stage.

However, they deserve huge props for the look of the movie. It could have been super distracting with the underwater effect but they found a way to make it blend in and you don’t notice it. The hair floats a little, the movements are floaty and swimmy, everything is blue and green without being grey, the costume and architecture is distinct and well done.

The movie is fun. It doesn’t take itself seriously. I don’t know if its “run to your nearest theatre” good, but it might be worth a free evening. If not, find a lazy evening once it is on Netflix and stuff yourself with popcorn.


Venom: Sucks So Good

Venom has some serious suckage. It isn’t good, but its good enough. Put this movie on a pie chart and a good chunk is like Suicide Squad and The Amazing Spider-Man 2 had a baby. But being a bad movie doesn’t mean it is terrible because it is quite a bit fun. Seriously, two thumbs up.

I was already kind of negative before this movie came out. It looked like a bit silly, and Venom without Spider-Man isn’t exactly interesting. Eddie Brock is Venom because of Spider-Man. The trailers made it look visually messy or bland.

But then I heard some good, or at least not horrendous, things from people and the box office returns were positive. So, why not see it? What else am I doing at 5 PM on a Friday when I have to be up at 7 AM the next morning? I haven’t been to a movie since either Rampage or Ant-Man and The Wasp. Whichever came first. If nothing else, I heard the post-credits scene is worth a $14 ticket.

Everything that isn’t Eddie Brock and Venom is a train wreck. But the train wreck never stops. You know how in another Tom Hardy movie, Mad Max: Fury Road, the chase builds and builds and gets one percent bigger then two percent bigger and then three percent bigger? This is if a train wreck crashing into more train wrecks found a way to not stop and still arrive at its destination in a pile of twisted metal and fire like a Looney Toons skit. When other characters are on-screen you’re sitting there like “WHERE IS VENOM AND EDDIE?”

The dynamic is where the fun is. Think of a buddy cop movie. Venom is beyond the bad cop, he’s an asshole. He’s just absurd. Eddie Brock is mumbling, bumbling doofus.


No calm down.


Come on relax.


Oh Jeez.

The last person you should ever listen to about their own movies is Tom Hardy. Mad Max: Fury Road is fantastic and while this movie isn’t good, his stuff in the movie is the best part of it all. Their interactions are fantastic. His complaints that all his good stuff was cut from the film seems silly, since his stuff was the only good and best part of the whole movie. If there was 40 minutes of missing footage of those two then I am totally down for an extended cut. Give it to me. The two of them have some absolute money lines together.

I’m not lying or being a sensationalist fanboy when I say that you can have a good time at this movie for that alone.

Now, if you’re looking for a nice cohesive well told story with multi-dimensional characters? Nah (Although that is kind of the movie’s charm).

The first 30-ish minutes of this movie is nearly walk-out bad but then at minute 31-ish it finally does something. The beginning of the movie is the kind of stuff you’re going to skip past on any re-watches.

Worst super hero movie villains list: Steppenwolf, the Dark Elf guy from Thor 2, Abomination, Bulls-Eye, Apocalypse, Doomsday, Venom era Spider-Man 3, Electro, fart cloud Galactus and then fart cloud Parallax. There are a ton of terrible villains in these movies.

You’d agree those are all terrible? Lets go about 12 rungs down the ladder. Acting. Motivation. Music. Presentation. Design. Character. The absolute worst.

The Life Foundation and Evil Business Guy Carlton Drake and Riot are some of the worst villains. They’re from a pre-Avengers world where the motivation is “They’re just evil. Who cares. Its comic books. Shut up. Bad guy does bad stuff.”

Carlton Drake is making out and having gross PDA with Being Evil. And the speed at which his Evil accelerates is numbing. Just laugh. They literally combined every Evil Businessman trope into one character and then turned up the suckage. Doesn’t get any better any further into the movie, just gets worse. There were points in his Evil Plan where I couldn’t help it but laugh during a Super Serious Scene.

Poor poor love story and love interest. She gets the bare minimum of any form of character you could give someone.

Shaky and suspect dialogue in a lot of scenes. “Have a nice life!”

A great chase scene and a couple of neato fight moves, but the more CGI that is on-screen the bigger a visual mess you’re suffering through. I can’t imagine the migraine I would get in 3D. A nighttime fight between a black CGI goop monster against a charcoal grey CGI goop monster splooping punches of gloopy impact is just… what were they thinking? There are moments in the big action climax where I literally couldn’t figure out what is happening or who is who.

The PG-13 saps some of the life and impact from scenes. There are things that should be more visceral than they are. It doesn’t need to go full vile gore-sploitation mess, but Venom can be a really visceral character. There are elements of body horror and gore to his story and actions. Some of the actions and motivations feel a bit limp as the numbing of anything too extreme is a bit lame. Imagine if you never got more than sideboob in a movie about strippers? Either be PG-13 or be R but trying to be in the middle results in a tonal mess.

In a world where Logan and Deadpool and Dredd exist, you can have a successful R rated Venom.

I still liked it quite a bit. I wouldn’t really say it felt tonally different or really all that distinct. It fits in with the pile. There’s a good, charming performance and a few neat ideas here that are holding that train wreck together as it rolls into the station. I almost don’t think this movie “works” without it being terrible where it is terrible.

As for a sequel, the movie is there and the stinger makes you want to try again and show up again. Take another swing and get someone who has a clue to put it together. Or maybe keep it a bad mess. I don’t know. It was fun and sometimes that’s all a movie has to be.

WWE Summerslam: This One Was Just Right

Wrestling is great. It is a variety show with action and comedy over a soap opera. It’s a stage play of comic book storylines played characters portrayed as super heroes and super villains. And when it all comes together, its worth it. WWE Summerslam got it right. Stories don’t have to be long, drawn out and complicated. Short and sweet, simple and effective,

I was expecting a 5+ hour show with some serious crap. While not everything was spectacular, there wasn’t anything really worth skipping on the main show. The whole thing was worth the time and money.

Pre-show Kick-off:

Andrade “Cien” Almas and Zelina def. Rusev and Lana, Cedric Alexander def. Drew Gulak, The B-Team def. The Revival

The Pre-Show doesn’t matter.

The Latino Guy, with the gimmick of having a hot girlfriend, beat the European Guy, with the gimmick of having a hot girlfriend. 205 Live did something where moves occurred. A match happened with the worst Tag Division in years.

There’s no way to care about 205 Live. The moves are fine, but Cruiserweight wrestling is whatever now. It isn’t like it used to be where you could only see the acrobatic stuff from the luchadors, Japanese fellas and little Americans. Seth Rollins is flipping around and he’s a main eventer. Jeff Hardy, Daniel Bryan, Dolph Ziggler, Finn Balor and AJ Styles all flip around and be acrobatic. Sticking these fellas guys in their own division just segregates them from requiring caring. There are small dudes all over the main WWE roster. Having these 205 Live guys on their own just shows they don’t matter. They’re not in the same league as anyone on Raw of SmackDown! Has anything interesting happened on 205 Live since Enzo Amore got canned? I wouldn’t know because these guys don’t get character time on TV.

Who cares.


Intercontinental Championship Match: Seth Rollins (with Dean Ambrose) def. Dolph Ziggler (with Drew McIntyre)
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Easily the best program on Raw. Probably the best one since Kevin Owens and Chris Jericho with the Festival of Friendship. These guys have carried a bloated 3 hour show for weeks now. Dolph finally finds a character that works, with a serious heavy that can back him up. Seth has been valiant as a baby face

Seth Rollins with the Thanos vest and the Infinity Bootlet. Remember what I was saying about super heroes?

Dolph Ziggler with the Rick Rude pants. Good to see he’s just embracing being a shameless amalgamation of nostalgic characters that got over instead of pretending he isn’t a rip off and not being over with the crowd.

Beef Ambrose’s haircut is a dead giveaway of a heel turn. Bald guys are not face wrestlers without being a heel.

After all the shenanigans in this build up it was nice to get just a simple match. Minor shenanigans, but nothing that makes the match or win feel cheap or dirty. This match was worth all the wait. These guys are all money. A Seth win keeps the good times Rollins.

Two thumbs up.

SmackDown Tag Team Championship Match: The New Day def. The Bludgeon Brothers via DQ (no title change)
WWE Photo

This is almost another who cares. The New Day are silly and fun. The Bludgeon Brothers are silly and okay. Wacky dudes against bush people zombie hunters. Pretty straight forward match. Heels do big stuff. Faces make a comeback. Heels cut it off. Then heels get themselves disqualified instead of losing their titles.

One big gripe:
The Bludgeon Brothers are using prop hammers and they still do the stupid HHH hand protected sledge-hammer belly shot? Prop hammers. How did no one think to make these “usable” in this very exact instance? It looks silly with HHH does it, but it looks totally absurd when they’ve got their hand on the hammer end of a giant prop hammer.

A DQ win keeps things “undecided”. That’s fine, but I miss the days when the big pay-per-view events were definitive. There’s not much else going on at Smackdown! so I guess you gotta keep this running.

Sideways thumb.

Braun Strowman def. Kevin Owens
WWE Photo

This is all Strowman has to do. Come out. Dominate. Less is more with anyone who can take the label “special attraction” since you keep everyone wanting more. Dudes like Strowman and Lesnar need to tease the audience. Braun shouldn’t be doing long matches. When he’s in a real match it makes it a big deal.

Owens at this point is a mid-card heel jobber. He needs a break to rehab his credibility because he’s eating a couple more pins away from being on the pre-show with Rusev.

Thumbs up.

SmackDown Women’s Championship Match: Charlotte def. Becky Lynch, Carmella
WWE Photo

Mella is money. Her gimmick is great. She’s grating and you want to see her lose. If you’d told me that she’d be the longest tenured out of her, Enzo and Big Cass then I wouldn’t have believed you. Her trash talk during the match is impressive. It’s a lost art that only a couple of wrestlers still do. It makes wrestling feel like its crossing over to real sport.

Three ways are usually a bit of a mess. Usually a lot of one-on-one wrestling while someone takes a nap after a standard move somehow pseudo-KO’s them. But the women never really took much of a break. When they were down, it wasn’t an age before they’d get back in. It was a constant cycle. There was a solid mix of Becky-Charlotte, Charlotte-Carmella, Carmella-Becky.

Carmella worked her butt off and kept up with Becky and Charlotte. There were a lot of really interesting moves, transitions and moments. Women’s matches were for so long a bathroom break but now they’re worth the commitment. Everyone looks great coming out of this.

Charlotte pinning Becky is interesting. Carmella never technically “lost” her title and so she still has a legit claim going forward. Becky being pinned makes Charlotte look stronger, but also like a baddie for doing it to a friend.

That whole ending just has me expecting a Becky heel promo on Smackdown despite her finally REALLY getting over with the crowd. I’ll crap myself if she drops some “Fans didn’t believe in me line!” like a bad Ziggler promo.

Charlotte doesn’t work as a face. She’s a head taller than all the other women. She’s probably 130-150% their body weight. She’s powerful and athletic. She’s the daughter of Ric Flair. Those aren’t baby face characteristics. Hopefully they don’t butcher this.

Thumb up.

WWE Championship Match: Samoa Joe def. AJ Styles via DQ (no title change)
WWE Photo

AJ is phenomenal and he’s a better all-round performer than he used to be. He’s way better at making things look like a fight, like he’s mad, like its serious than he used to be. Mic work goes a long way to selling a match. Moves are neat, story is the meat.

Joe is great and a convincing badass. Its unfortunate he’s been injured as frequently as he has since it takes your credibility away when you’re supposed to be a destroyer and you miss month after month with injury. It is kinda supposed to be the other way around.

He’s so acrobatic for a big guy. The top rope knee and his corner moves are worth it. The Coquina Clutch looks like a real submission. He looks like he’s fighting.

These guys got me to buy in. AJ stepped up his game and it got me. Not just moves, he really was fighting like he was pissed off. All the drama with his wife and daughter, Joe claiming he was their new “daddy”, as 2018 as that is, was still great.

AJ snapping at the end and going to town with the chair was fitting. A messy finish works here. It helps tell the story. It fits. Things will continue, but it doesn’t feel lame.

Thumbs right up.

The Miz def. Daniel Bryan
WWE Photo

The Miz Rules. Daniel Bryan is boring and played out at this point. Nothing about him has changed in the better part of four years now. He’s a little dude who tries hard and chants “yes”.

The Miz is a heat magnet. He’s an actual superstar. He’s an actual character. And he’s over. Watching people Yes! chant along with Daniel Bryan is always funnier when the same people are doing the Yes! chant while Miz is delivering his own stupid kicks. Pick a side you bums.

The Miz winning was pretty unexpected, although the crying Daniel Bryan marks will tell you otherwise. I cheered when Miz won. He deserves it. He’s been an MVP on Raw and Smackdown! carrying the primary non-main event program for months. Using shenanigans to win is okay and makes sense. He’s a trickster. He’s a heel.

This match made sense from the build to the promo to the moves to the finish. So good.

Two thumbs up fist pumping!

Finn Balor def. Constable Baron Corbin
WWE Photo

Seeing the Demon was neat, if out of the blue. Squashing Corbin is the only way to go. You don’t go all anime with Balor’s “Final Form” unless you make it dominant. Regular Finn Balor? 50-50 wrestler in the mid-card. Demon Finn Balor? World title level wrestler capable of easy squash matches in the mid-card.

One thumb up.

United States Championship Match: Jeff Hardy vs. Shinsuke Nakamura
WWE Photo

I don’t understand Shinsuke Nakamura. I don’t understand his appeal. Once his entrance is over, what are you left with? A skinny guy with limp offence and a lame finisher (Don’t @ me over the Kinshasa. Its a limp looking kick most of the time. It’s as bad as the Zig-Zag in how bad it looks when it isn’t perfect.) He’s had maybe 3 actually good matches since debuting on the main roster. He’s trying to be a heel now, and he’s doing okay, but he still does his baby face stuff to get cheers from the crowd. Like, come on dude.

Jeff Hardy has lost about a step since returning and he was already about 3 steps behind from his prime. Fun nostalgia act, but the dude isn’t much in the ring anymore. Credit to him though, he gave it everything he could in this match. He took some rough moves. He crashed and burned leaving a win on the table for Shinsuke.

The Orton tease at the end was confusing. Blandy Boreton should not be a babyface and even as a heel he’s played out.

Thumb up.

Raw Women’s Championship Match: Ronda Rousey def. Alexa Bliss
WWE Photo

What was on Ronda’s face? What is that makeup? Did Jeff Hardy not have any time to help her out? Does she want to be Proxima Midnight? Luna Vachon?  Or did she have a Create-A-Wrestler from an old SmackDown! game in mind when she showed up? What if Ronda has terrible taste and we only didn’t know because she couldn’t rock that in the UFC?

Alexa is great. She’s a real character. She’s the bitchy high school cheer leader who always gets her way through manipulation and cattiness. Ronda is radical. She’s a real badass. This match had one way to go and it nailed it. Any Ronda match against anyone but Nia Jax or Charlotte Flair should be this. Ronda would destroy every woman in the history of the company. This was the exhibition squash it needed to be.

The Bella’s can GTFO.

Two thumbs all the way up!

Universal Championship Match: Roman Reigns def. Brock Lesnar
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Roman is great. Brock is better the less he does otherwise every match is the same. He does some crappy fake UFC strikes and then a bunch of suplexes before getting gassed 5 minutes in only to get hit with a babyface comeback before squashing it.

The Braun Strowman promo was weird. “I’m so manly I refuse to be a coward and stab anyone in the back. That’s why I’m going to stand here all match so you know I’m going to cash in after you’re tired and beaten and bruised and exhausted, instead of you being surprised by me cashing in under those circumstances.”

Having nothing but money moves is the way to go. Lesnar-Goldberg was great. No BS between them. Just the big stuff, go short and hard and fast. This match could have fit in a tweet. Super man punch, super man punch, spear, guillotine, spine buster, guillotine, spine buster, missed spear (not a suicide dive, Michael Cole), F5, spear, pin, win.

Brock taking out Braun saves the whole promo and Braun’s promise. Roman winning actually worked.

Three thumbs up.

The Room: When an Alien in Human Skin Makes a Movie

Image result for the room

The Room is the greatest mess in cinematic history. It is the Citizen Kane of bad movies. It is the answer to the question of what would happen if something went so far below a zero that it somehow became a 10.

Its awful. It makes no sense. Characters existing is the extent of their existence. It has character moments, arcs and plot that are dropped in the same scene they’re introduced. It is edited at random. In the language of cinema, nothing in The Room works.

This movie is unwatchably watchable. If you were to sit down and try to watch take this seriously, it would feel like you’re “being stabbed in the head.” But sitting down to watch this as a delusional vanity project gone awry and it becomes one of the best 90 minutes you’ll get out of a film.

Tommy Wiseau is the center of the film on screen, as really good guy Johnny, and off screen as well. This man directed, wrote, adapted, produced, starred in and funded the entire $6,000,000 film. Yes, this movie costs $6,000,000.

This entire film is a series of things just happening. Its almost more of a mockumentary around a guy and his life than it is a proper dramatic film.

This is the cinematic equivalent of giving any random person a budget and a script and a camera and a crew. It should make you appreciate how “good” even a regular bad movie is.

Image result for the room

Tommy cannot enunciate. Tommy cannot dress himself. He’s an alien in human skin.

The Room is what the result would be if an alien species studied late 90’s soap opera TV, had a computer program amalgamate a script and then was performed by the aliens in human skin like the first Men In Black movie.

It’s not difficult to find secondhand embarrassment for the actress portraying Johnny’s “future wife” Lisa. She’s given an awkward wardrobe, absurd “motivation” and has 4 or 5 sex scenes. The sex scenes are uncomfortable. They last the entire length of the bad and cheesy love songs. Johnny pounds away at her belly button, has a zombie orgasm and then shows the entire world his butt. Why? Because its “Hollywood”, I guess.

Time passes in the film without any establishment of time passing. Characters talk about meeting up tomorrow and are in the next scene. No establishing shots, no passage of time shot, no CHANGE OF OUTFITS! They just happen.

Set design is bizarre. Like a showroom apartment from a 2003 Ikea. There are candles and photographs of spoons everywhere.

The logic of the film is bizarre. The game of football is just awkwardly hot potato-ing a ball around. Marijuana is considered an aggressive “fly off the handle” drug. Attempted murder is quickly forgiven. Stumbling into a garbage can sends you to the hospital.

The dialogue of the movie is completely bizarre, which probably is why the characters are so completely bizarre with actions that are completely bizarre.

  • Claudette becomes the voice of the people at one point, literally saying “What are these characters doing here?”
  • Tommy Johnny responds to the story of a woman being hospitalized by the beating of a jealous ex-lover with “Ha ha ha what a story, Mark!”
  • Characters will bring up something in conversation and then say “I don’t want to talk about it” after them bringing it up.
  • Adultery is committed and forgiven immediately, but then unforgiven about 12 seconds later in the same scene.

Does any of this sound like it was written by a human?

  • “I did not hit her. I did not. Oh hi Mark.”
  • “Anyway how’s your sex life?”
  • “Anything for my princess ha ha ha!”
  • “Its not over everybody betray me I fed up with this world!”
  • “If a lot of people love each other the world would be a better place to live.”
  • “Cheep Cheep Cheep Cheep Cheep.”

The best performance in this entire movie comes from the least trained actor on set. Drug dealer Chris R, played by former Olympic bobsledder Dan Janjigian, is excellent. He’s legitimately intimidating and terrifying. There is more conviction in his lines than the rest of the entire film. But even a performance that good is still undermined by The Room as people just appear in the scene like its Looney Tunes while shouting awkward lines. Somehow the violent, giant, gun weilding Chris R is subdued awkwardly by Johnny and his best friend Mark while Lisa yell cries about drugs at a whimpering Denny, Johnny’s pseudo son.

There’s a sad truth in film though. While its a mess, its clearly written from some place of truth or experience in Tommy Wiseau’s heart. There’s something of a biopic going on here, where nice guy Johnny gets manipulated, lied to and taken advantage of by the people close to him. A lot of the dialogue sounds like something from a bitter ex-lover.

Almost the entire male cast is portrayed as sexual vultures. Lisa is a petulant whore. Mark wants to, and does, bang Lisa. Denny wants to bang Lisa. Peter talks about how great Lisa is. Some no-name at the party has one line in the movie and it is “Lisa is so hot” while making a horny face.

Writing this may have been cathartic and even necessary for Tommy, but then turning this play into a film became an ego stroke. Some characters exist only to show that Tommy Johnny is a great guy.

Note: Due to Johnny clearly being a proxy for Tommy, I left in all the places I wrote Tommy.

One of these characters is Mike (pictured) aka Me Underpants Guy, who needs a private place to fool around with his girlfriend. So of course great guy Johnny allows them to use his couch whenever they want.

One of the nonsense characters is Denny, the orphan who was too old to adopt so Tommy Johnny just pays for his entire life as a pseudo father. All he does is be sexually creepy and weird, but Johnny loves him anyway because Johnny is so great.

One of these characters is Claudette, the future mother in law, who essentially repeats how Johnny is rich, nice, caring and an amazing man that all women would love to have.

One of these characters is the Flower Shop Owner, who exists to tell Tommy Johnny how he’s a great customer and great boyfriend.

Most of the characters essentially exist to say “Johnny, you are so great. You’re the best person” in a variety of ways.

Even Mark, the antagonist of the film and Johnny’s “best friend” who is banging Johnny’s “future wife” which frays and destroys the relationships in the plot of movie, will regularly talk about how great of a dude Johnny, his best friend, is. He will say this two seconds after putting his shirt on after having awkward staircase coitus with Lisa.

In years since, Tommy Wiseau has said he was making a dark comedy or a satire of a drama. Absolute crap. He went for a serious American drama and failed so miserably he made a comedy of errors so great he crafted one of the greatest comedy films of all time. The film grossed $1800 in its theatrical release. Marketing of the movie was a billboard in LA, that stayed up for 5 years, and Tommy Wiseau throwing pamphlets at people prior to the films premiere.

Image result for the room billboard

The film is a complete mess. It takes itself seriously. It wants to hit heavy but is undermined in wild swings of tone. Random thrown in scenes interrupt any pacing you may find. Its a movie that doesn’t know what a movie is. Writing, dialogue, acting, screenplay, editing is atrocious.

The movie climaxes in a suicide after Tommy humps Lisa’s clothing following a lackadaisical condo trashing after Tommy shove fights Mark and tells Lisa she’s a bitch. That literally all happens inside 10 minutes.

It was written as a stage play and could not get distribution as a book. Logically when you encounter those obstacles you turn it into a self financed film. The production crew was replaced twice during filming.

So how did this movie become a big deal? Well, The Room was played on loop for April Fools 2009 by Adult Swim. That was the movie’s big break. Beyond that it had a small cult following in LA among film industry people.

How did I find this movie? I wanted to watch Room, the Brie Larson film that won an Academy Award. I didn’t think twice when I saw a theatrical showing of The Room, so I mosied on down to the historic Garneau Theatre. Imagine my surprise when I got this film, complete with fans throwing plastic spoons and singing along to the love songs. My brain couldn’t compute. It was one of the worst movies I’ve ever seen. And it was great. Everyone should see this movie once. Twice if you’re feeling cute.


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Venom – Trailer 2 Reaction: This movie looks terrible.

By no means is a trailer indicative of the final product. Its an ad. Venom could be good, but impressions from the teaser, first trailer and second trailer leave me expecting an awful mess. I’d love to be wrong, but… jeez it looks like Sony went and Sony’d all over a Spider-Man movie again.

Forgive if I ramble, but it looks cheap and schlocky. Maybe its the suit. Maybe its because it gives me edge-lord “I’m So HaRdCoRe” vibes. Maybe its because it looks like its a Zack Snyder movie with that washed out visual palette.

There are some promising badass things: ripping the face is badass, the axe hands are badass, the big tongue is badass, having all the Hybrid symbiotes on their own is badass.

But there are some dumbass things: indistinguishable character design is dumbass, the goofy Venom face worming itself off the body to have a chat is dumbass, the “ima eat u” monologue is dumbass.

I just look at this and wonder if anyone is excited to watch this CGI fight at night between a black symbiote with no distinguishable markings versus a dark grey symbiote with no distinguishable markings? If it wasn’t for someone telling me who was who in this still I would not have known.

I feel as if the film going to suffer from what plagued Suicide Squad: combat and plot better off meant for an R rating but neutered for PG-13, and then a #bigdumb CGI ending because that’s in the recipe book for comic movies.

It just feels off.

The concept is interesting enough. Maybe it is Actually Good. Or maybe its such a bad schlocky mess it takes the needle so far below zero it comes back around to a ten.

I’m not too familiar with director Reuben Fleischer. His IMDB isn’t inspiring but there have been a lot of directors with meh previous work who have come into big budget action flicks and done well. The cinematographer worked on Black Swan, Requiem For A Dream and Pi so you can expect some interesting and weird camera work that could be hella neat.

But like, come on. Its Sony. The studio that couldn’t keep Adam Sandler happy enough to be his exclusive studio. The studio that bungled Venom once before. The studio that bungled Spider-Man so badly, twice, that they just gave most of the property back to a rival studio just to have the public not hate Spider-Man anymore. The studio that made Ghosbusters 2016 and banked on it being the start of a cinematic universe.

Or maybe its good and writing this was a waste of everyone’s time. Guess we’ll figure out on October 5th.